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Showing posts with label Correspondence. Show all posts
Showing posts with label Correspondence. Show all posts

Tuesday, April 27, 1999

Q&A with CBC for Harmon documentary "The Winterer"


Background research provided to the CBC for their Spring 2000 documentary Harmon: The Winterer in The Pathfinders series for Canada: A People's History.

Can you describe the type of relationship that Harmon had with Lizette?

They achieved Harmon's stated ideal of a relationship (1800), to "live in harmony together." Their partnership was lifelong, devoted, based on mutual respect, a source of cross-cultural exchange in which each gained entry into the other's milieu, and a dynastic union which satisfied both Harmon's deep need for family connection, and the custom, which he often observed amon Indian women, of cheerfully choosing large families. Harmon wrote that "I cannot conceive it right for a man and woman to cohabit when they do not agree," and their decision to come East together was clearly a mutual one. "I consider that I am under a moral obligation not to dissolve the connexion, if she is willing to continue it," and clearly she was so willing, for his lifetime and for the remaining 29 years of hers.
Much has been made of the fact that Harmon never mentioned Lisette by name. He writes in his appendix that it is a mark of respect among the Cree not to speak the name of a person under discussion, but to refer to them indirectly. In the world of man whose highest devotion was to family and community, there can be no higher state than the one Daniel accorded Lisette. She was "the mother of my children."

Who is Lizette Duval? Can you write up a character sketch? What made her tick? What's quirky and fascinating about her?

Elizabeth Laval, or Duval, was the Métis "daughter of a French-Canadian voyageur and a woman of the Snare people, whose country lies along the Rocky Mountain." She was born circa 1791 in the western Canadian Rockies, and was long thought to be a Snake Indian from the Kootenays. "Snare" was considered a misspelling in Harmon's original journal, of which only copies are known to exist. Recent scholars have speculated that the "Snare" people do exist, and are now the Secwepemec band of the North Thompson River, BC, but band leaders were unable to confirm this in 1997.

Lisette, as she was known, was given into Daniel's care "à la facon du pays" at age 14, in South Branch Fort, Saskatchewan, October 10, 1806. She was "a fair Partner…of a mild disposition and even-tempered." After sixteen years together, she and Daniel were formally married in the Congregational Church before leaving the NWC country. Biographers Kaye Lamb and John Spargo give their marriage as occurring at NWC headquarters at Fort William, ONT, a few days after Daniel's journal records their arrival there on August 18. Their son John, incidentally, was born there on August 24, and the family continued on to arrive in Vergennes, VT on September 11 of the same season.


Lisette was a woman of endurance. She made an epic transcontinental journey while pregnant and nursing a newborn, as well as caring for two daughters aged eight and two throughout the canoe trip. She bore fourteen children, ten surviving infancy, and outlived all but one. She was a devoted and by all evidence beloved mother; she grieved with Harmon over the loss of "our darling son" their firstborn George, and her youngest daughter Abby Maria was buried in her mother's grave. Lisette died at Sault-au-Recollet, Montreal, February 14, 1861, aged 72. A stone to both Harmons in Mount Royal Cemetery was probably a gift of Abby Maria's friends.


Lisette's patient, listening ear and keen eye for detail live on in her work. Harmon's journal, edited by the Rev. Daniel Haskell, includes a Cree dictionary which was made correct "by making the nice distinctions in the sound of the words, as derived from her repeated pronunciation of them." Her one surviving artifact is a quillworked leather shot bag in the Bennington Museum, acclaimed by art historians and anthropologists as one of the finest surviving examples of its genre. The stitches are tiny and close-set, the vegetable dyes rich and bright, the leather fine and supple, and the design exquisite. One can only imagine how many long summer days on canoe trips, and harsh winter nights from the Rockies to Vermont and Montreal, found her sewing by the fire, attentive to her task.

Who is Daniel Harmon? Can you write a short character sketch? Why did he leave Vermont and enter the fur trade? What is his motivation? What did he hope to accomplish?

Daniel Williams Harmon was a moral man whose passions were conversation, religion, and family. He was intense but not an intellectual, intelligent but not educated. Though one of his brothers went to Dartmouth, Haskell bemoans Daniel's lack of a classical education as it shows through in his rough writing style. He was passionately spiritual, intensely reserved, and extremely hard on himself. Every single birthday in his journal finds him condemning his life of “folly and sin," though apart from one or two occasions where he admits to being "three sheets to the wind," it is hard to find evidence of his transgressions. He was serious, earnest and responsible, and inclined to be dry, especially without the society he craved. This was the society of close friends and their books, and he constantly laments the lack of good conversation especially about religion. He missed his family intensely, and yearned for their letters; we can only regret that none of his survived.

As the youngest son of a conservative Yankee innkeeper, Daniel found both the reason and the means to leave Vermont in his father's tavern. The Harmons and the Deweys, his mother's family, were "deeply religious people" (see John Spargo for full quote).



A Voyageur Song for Daniel and Lisette

Certain songs go with certain types of paddling water and thus certain sections of the route. You’ll find most of them, including melodies, here  or here. For a theme song for the whole Harmon story as you’ve framed it, I would use “En montant la riviere.” Though it’s on the first site above, it’s worth quoting here.

EN MONTANT LA RIVIÈRE

C’est dans le mois de mai, en montant la rivière, 
C’est dans le mois de mai, que les filles sont belles 
Que les filles sont belles o gai, que les filles sont belles.

Et que tous les amants, en montant la rivière, 

Et que tous les amants y changeant leurs maîtresse 
Y changent leurs maîtresse o gai, y changent leurs maîtresse.

Mais moi je n’changerai pas, en montant la rivière, 

Mais moi je n’changerai pas, car la mienne est trop belle 
Car la mienne est trop belle o gai, car la mienne est trop belle.

Elle a de beaux yeux bleus, en montant la rivière, 

Elle a de beaux yeux bleus, une bouche vermeille 
Une bouche vermeille o gai, une bouche vermeille.

Oh! qu’il me serait doux, en montant la rivière, 

Oh! qu’il me serait doux, doux de vivre avec elle, 
Doux de vivre avec elle o gai, doux de vivre avec elle.

This is Harmon’s song: all the rest of those gauche Canadiens are faithless lovers, but he won’t change his sweetheart, she’s too lovely, it’s too sweet to live with her.


I’d have the voyageurs singing this as he departs, with him sitting clueless in the bow (poor dumb maudit Anglais). By the time he comes home, with his French wife and a family of his own, he’s learned the truth of the voyageurs’ song as he mounts his own river, the Richelieu, for Vermont and home. I’d have a woman’s voice singing it then as a lullaby (Lisette to Sally and John), and Daniel smiling and nodding along as he remembers. Now he understands.

As-Yet Unanswered Questions

  • When did people start calling Harmon "the priest?" Do you have any other tidbits about him that would make his character come alive?
  • Was Harmon in love with the land before he met Lizette? Did he embrace or accept his surroundings and its people (natives)?
  • What kind of values did he uphold in the interior?
  • What was his religious evolution? Take me through the steps - from him entering the business to leave his religious background, to him reading the bible because he's bored, to his conversion?
  • Tell me about his family and father? Who was he? what was his influence on Harmon?
  • How do you become a winterer? how did Harmon become one? What are the qualifications for the job?
  • How do you get promoted in the interior? It took Harmon 18 years to become a partner!
  • What did Harmon think of the fur trade? What did he think his life was going to be like? Did he have a romanticized notion?
  • Did Harmon feel like an outsider in the interior? Tell me about his loneliness?
  • How was Daniel and Lizette's wedding conducted? What happened exactly?
  • what kind of father and what type of husband was Daniel Harmon?
  • Which English books did Harmon use to teach her daughter Polly to read?

Wednesday, December 10, 1997

Closing the Research Circle with Sylvia van Kirk

TO: Sylvia van Kirk
Dear Professor van Kirk:


I owe you a lot, and I'd like to pay up in like coin. We've spoken once on the phone via Jennifer Brown, but here's a reminder and update.


In 1988, I picked a character name out of "Many Tender Ties" to use for a canoe landing at the Mattawa River's designation as a Canadian Heritage River. Ten years later, Lisette Duval has been recognized with a national award as the "voyageur officielle" of the Canadian Heritage Rivers System and is listed in theiir forthcoming fact sheet, as well as in my book VOYAGES: Canada's Heitage Rivers. Moreover, as a result of a keynote speech on "Gender and Living History in the Fur Trade" for this year's North American Voyageur Council, there is a publisher and media interest for a full biography of Lisette, as the link to "Vermont's Lost Fur Trade Heritage," with a possible TV tie-in via Old Fort William and Duluth public TV.


Best of all, I found yesterday that the Bennington (VT) Museum collections include a quillwork shot bag made by Lisette for Daniel in 1810, in near-perfect condition. We've located the site of their homestead in Coventry, Vermont (90 minutes straight north from my house, near the Quebec border), and are planning a trip to Montreal to find her grave in Mount Royal Cemetery, Lot G.11 and hopefully their place of death in Sault aux Recollets (North Montreal).


There's a lot more, which I'd be delighted to share at your invitation. Meanwhile, I've become more focused on Lisette's origins as a "Snare (Snake?) Indian from the western Kootenays," and felt it important to consult the expert!


Has any of your research in "gender and race issues in the early settlement frontiers of Western Canada" involved or uncovered the Harmons? Specifically, can you suggest where we might look to find the location of Lisette's tribe, which does not seem to show up in Harmon's journal? I have been working from the later translations which do not include his appendix on the Indians, but have just gained access to an 1820 edition which may yield more data. We would be very curious to trace Lisette's ancestry through her native side.


I know you must be very busy with your own work. Still, we would welcome your interest and advice on this project, which is in its formative stages, and hope it might complement your research. There is a rich and untapped lode of archival materials dealing with the Harmons' Vermont years, and we look forward to shedding new light on the experiences of a femme du pays thrust into New England society, whose seventy years spanned a continent and the final days of the fur trade. Thank you for your attention.


Santé,
Lynn Noel
******************************
Lynn E. Noel
Research Fellow, Institute of Arctic Studies
6214 Steele Hall, Dartmouth College
Hanover, NH 03755-3577 USA

Tuesday, December 09, 1997

Finding Lisette's Shot Bag



TO: Eric Cline

Old Fort William Archives

NEWS FLASH! I went to the Bennington (VT) Museum yesterday to meet with Lisette's soon-to-be publisher and the museum archivists. There was a present waiting for me: a photo from the Museum's "Highlights of the Collection" catalogue. To wit:

"Figure 51. PA-TUS-SE-NON (SHOT BAG), 1810
Lizette Harmon, Cree Indian, 1790-1862
Porcupine quills, red floss, beads, leather
H: 11 in. W: 7 in
Gift of Mrs. Nelson Bradley Carter

"…This shot bag was made by Lizette for her husband and was decorated with naturally-dyed porcupine quills. Although shot bags do survive, few can be found with leather in such fine condition, with such vibrant colors still evident, or with such strong documentation and history.""

Just imagine. After ten years roleplaying this obscure Métis woman, to see a color photograph of something she made with her own hands. And such an artifact. I'm thunderstruck. I must see the actual thing itself asap, and of course I'm burning to try to copy it as it's gorgeous. Anybody up there teach quillwork?

We also discovered where she died—Sault au Recollet, now a suburb in North Montreal—and where she is buried–Lot G.11 at the Mount Royal Cemetery. From 1821 to 1843, she lived literally an hour and a half up the road from me, in Coventry, Vermont, founded by the Harmons and funded by Daniel's NWC earnings. She lived to the age of 70, having her first child at age 14 and her 14th at age 47. We've got the Harmon family genealogy waiting to be worked on, and best of all, I have her marriage date at your fort!

"Daniel Williams Harmon, b. in Bennington, February 19, 1788; m. Lizette (or Elisabeth) Laval (or Duval), in Fort William, Canada, August, 1819." (source: John Spargo, "Two Bennington-born Explorers and Makers of Modern Canada," 1950) Note: the other "Bennington-born Explorer is Simmon Fraser, as in River and University. He took Daniel's place as the leader of the Mandan Expedition of 1806.

So, we talked yesterday about mounting an exhibit and school program unit at the Bennington Museum on the Harmons and the Frasers, with the theme of "Vermont's Lost Fur Trade Heritage." I keep pinching myself to remind me that it's still an unfunded pipe dream, but hey……stranger things have happened. Like a book outline on a cruise ship in a hurricane……

Is there *any* chance you could forward this message to Shawn in the OFW library and ask if there's any way to trace this marriage certificate? Any idea who would have it? No source yet lists the date of her birth, so finding her marriage and/or death certificates would be a real key. I've also started to wonder if there are any other Harmon artifacts, as my dream of course is to make this an international traveling exhibit!

Just remember, you started all this. If you hadn't invited me to do that keynote, this canoe would never have left the bank. Now it's gearing up to run Lachine Rapids! Thank you SO much.

(Haven't forgotten about the canoe book either…)

Bon jour de Noel,

Lisette